REVIEW #257 The Green Knight (2021)
King Arthur’s nephew sets out on a journey to find the Green Knight in an attempt to prove himself and bring glory to his name. Risking his head to find the giant that wondered into Camelot. The Green Knight is a majestic combination of cinema and art, with illustrious cinematography that captivates audiences. Its narrative certainly asks a lot of the viewer, requiring patience and an open mind to feel the true effect of the movies themes. Granted that can be a lot at times but if you push through until the very end you certainly reap the rewards. Reminiscent of similar films from A24 studios like The Witch, Midsommar and The Lighthouse, The Green Knight switches horror for fantasy but Lowry still achieves a feeling of discomfort and unease, especially during the middle act where we are faced with all kinds of oddities. The cinematography was my favourite aspect of the film, the colour grading switches with every chapter and works hand in hand with the beautiful scenery to provide the